five ways to reduce solo holiday costs

Reduce the cost of your solo trip with these five tips.

Keep an eye on the exchange rates. When you buy your travel money can make all the difference in the current tumultuous market. Being clued up on important political dates and when a currency is performing particularly well can mean the difference in hundreds of pounds worth of extra currency.

Choose your currency provider wisely. Prepaid currency cards are simpler and usually better value for money. However, be careful that the one you choose doesn’t come with any unfair additional fees, such as ATM fees, transfer fees or transaction fees.

Don’t be fussy with dates and times, if you can help it. The beauty of travelling alone is that there is no need to work to anyone else’s schedule. If you are fine with travelling on a cheaper day or at unsociable hours, make sure you take advantage of the savings on offer here.

Use comparison sites for everything. Many people use comparison sites for hotels and flights. However, you can find sites that compare the best deals for transfers, excursions and travel insurance, saving you money at every point.

Prioritise what’s important to you. Without the need to appease a travelling companion, you are free to choose what you spend your money on. Whether you prefer staying in luxury or eating the best food, allocate your spending according to your preferences.

Parasite Film Review

Parasite may well be a last minute entry, but is easily the best film of 2019, and possibly even the decade. So, what makes this South Korean release so special? Well, aside from being beautifully shot, cleverly scripted and full of vivid and often hilarious characters, it’s down to its central theme – class. Without getting too bogged down in politics, the film is bold in its break down of how class and a society built on wealth, connections and the luck of being born into privilege affects us all and really defines how we think, act and behave.

But let’s not get too philosophical. Parasite is the latest production from writer/director Bong Joon-ho, who rose to international fame with the monster horror picture The Host in 2006, and continued to receive acclaim with the sci-fi cult hit Snowpiercer (2013) and ecological adventure Okja (2017). Parasite ditches the sci-fi and adventure settings for a domestic thriller full to bursting with black comedy, despite rarely moving beyond two very different domestic spaces.

The script, which starts off as a witty, con-artist trickery plot, is crammed full of references to the forthcoming suspense and tension that slowly consumes the Kim family. We get hints at who will be the weak link in the Kim’s scheme through their struggles for money, subtle cinematography pre-empts major scenes and literal relics pop up which will come back to haunt them towards the end.

But what makes it all work are the charmingly scrappy family each with their own arcs, strengths and weaknesses, but who respect and support each other and overall provide a contrast with the upper class Park family they cannily insert themselves into. Not only are the two families contrasted, but their situations too – mass rains cause the Parks to return from a camping trip, while the same weather practically destroys the Kims’ basement home.

Tension is used exquisitely – being steadily cranked up with each scene, adding more and more obstacles in our protagonists’ way, until it reaches breaking point with an intriguing, yet completely out-of-the-blue twist that sends our family into a spiral from which it seems impossible to return. The tension works because Bong spends a lot of time getting to know the Kims, and playfully allows their tricks to prove surprisingly successful, despite their rag-tag, and often improvised nature. That said, the fantastic introductory scene, where the Kims humorously scramble for a decent Wi-Fi signal, is an incredibly nuanced and compact way to set out their relationships, bonds and status in society.

Not getting too much into spoilers, Parasite’s twist turns the story on its head and painfully takes the protagonists to a point of no return which culminates in a melancholic ending, with the audience’s emotions twisted even more by a somewhat cruel fake-out imagined ending. While such devices can be controversial, the masterful storytelling means nothing feels unearned in this film, and that’s what makes it a serious contender for film of the year, if not the decade.

IN UK CINEMAS FROM 7 FEBRUARY

Favourite Games of 2019


It’s that wonderful time of the year again when you finally can put your controller, mouse or joystick down, breathe a sigh of relief, and marvel at the past twelve glorious months of gaming. With an ever increasing catalogue of games on physical and digital shelves, we’ve waded through them all to give you the lowdown on our highlights (and what you might have missed) for 2019.

Death Stranding
Be blown away by one of the best A-list casts in gaming you’ve ever seen and get lost in the baffling near-future world from Metal Gear Solid creator Hideo Kojima. If you boil it down to its basics, it may well be a delivery quest game, but the stunning visuals, sublime soundtrack and decent mechanics all make it a worthwhile trek.

Star Wars Jedi: Fallen Order
While it may be getting praise for being the first single player Star Wars game in what feels like an eternity, this latest Lucasfilm entry is pretty impressive as a standalone game itself. It takes Dark-Souls/Sekiro-esque combat and campfire save spots coupled with Uncharted climbing and jumps and stirs in extra Star Wars to brilliant effect.

The Other Worlds
Finally, the dream team behind classic RPGs Fallout 1 and 2, Leonard Boyarsky and Tim Cain return to create a stunning sci-fi adventure game, which also draws from the Western-influenced Fallout: New Vegas. A compelling story, with great characters and with lots of choices and consequences is just the icing on the cake.

Disco Elysium
Playing a drunk, washed-up and rather bonkers detective in a murder mystery which philosophises about everything from gender to communism may not be everyone’s cup of tea, but it sure as hell one us over. An incredibly written script, with so much freedom to role play and take different routes, may have topped this game to being our favourite of 2019.

Sekiro: Shadows Die Twice
From Software (of Dark Souls and Bloodbourne fame) returns with a superb adventure game retaining the tactical complexity of its previous games, but adding a swift, more playful movement style with greater scope for exploration. Its difficulty may be a shock to the system at first, but learn the tactics and moves and you’ll be cutting through 16th century Japan’s soldiers and monsters in no time.

Untitled Goose Game
JUST BUY THIS GAME! Ok, that’s not a great description, but any words won’t be able to do justice to the great white-winged social menace that is the goose and star of this game. The simple premise is you play a happy-go-lucky goose who has to make the lives of a small English village a nightmare whether its stealing from markets, making kids cry or breaking everything in sight. The breakout indie hit of 2019.

Fire Emblem Three Houses
The long-awaited Fire Emblem series finally arrives on the Nintendo Switch, and boy, it does not disappoint. It’s new emphasis on exploring the school is a welcome addition, and the relationship building is better than ever, with you finding yourself really caring for your scrappy bunch of students as they progress from novices to experts. The tactical battles are compelling and challenging, while the ability to play essentially three different houses dramatically adds to the replayability.

Astral Chain
The studio who brought us the incredible NieR:Automata continues to impress with the sci-fi battle/adventure experience that is Astral Chain. The vivid character and environment art and pumping soundtrack perfectly complements the mind blowing action, which is no surprise considering the creators’ past work on NieR and Bayonetta.

Devil May Cry 5
After the controversial Devil May Cry (DmC) reboot, many had reservations about the future of Capcom’s slash em’ up, but never fear, all our worries were vanquished with the release of Devil May Cry 5. Taking place in a post apocalyptic London-esque setting, the ability to play as three different characters, each with markedly different styles, mixes up the fun and makes for rather enjoyable journey to hell and back.

Star Wars Jedi: Fallen Order (PC, PS4, Xbox One) Review

Many fans, including us, have long pined for a single player Star Wars adventure, and now one has finally arrived, is it worth dragging attention away from Baby Yoda for more than five minutes?

The reason there’s been such demand is partly down to EA, the company who owns the rights to Star Wars games, who have been heavily focused on the multiplayer market, particularly with their Star Wars: Battlefront series. While these games do well at what they’re aiming for, if you’re not fussed about owning a random stranger with a blaster or occasionally a lightsaber, they’re don’t offer too much. Despite some promising cancelled projects, including one by Uncharted’s Amy Hennig, Respawn, the brains behind the acclaimed Titanfall series were chosen as the custodians of Lucas’s legacy, and Star Wars Jedi: Fallen Order is what they came up with.

When you boot up the game, that familiar Lucasfilm motif does suck you in, and is the first of many examples of audio magic, which really ground you in the Star Wars universe. The music too, occasionally dipping into John Williams’ back catalogue, is masterful, as is the level art. Whoever did the background and level designs on this game deserves a well-earned round of applause – the imaginative landscapes, the subdued palette and the glorious lighting all combine to create one of the best looking games in this generation (sadly the player models are the only negative here). Now, of course, with the impressive range of material on offer, it does help entice the player, especially with the nostalgia the game likes to indulge in.

While the visuals and audio do an amazing job, the gameplay sadly feels like a bit of a let down. The decision to take on a lesser version of Dark Souls/Sekiro-style combat is a conscious one, but takes away some of the magic. Understandably you don’t want to let the player have all the powers and abilities immediately, but the slow dolling out of even things as simple as a force push feels unnecessary. The lightsaber combat feels held back, and though it could be said, more realistic, waving a laser sword isn’t exactly normal, so not letting the player have a bit more fun with it seems like a mistake. The climbing sections aren’t particularly exciting either, though they are often saved by some impressive cinematography.

Much of the fun of a Star Wars game is the story, and on this front, Respawn do pretty well, with a good sense of progression and development, and in true Lucas style, a big old McGuffin. However, the crew of your ship do seem a bit lacklustre and the plot towards the end feels rather rushed. A good example of this is the introduction of a charismatic new crew member – who is only unveiled in the last 1/4 of the game, which feels like such a waste. That said, it may be that previous games, such as KOTOR and its sequel, have spoiled us with their well-rounded cast of characters, and it must be said the introduction had us on the edge of our seats.

Overall, this is a fun romp through the Star Wars universe, and while the combat and gameplay might not be the force grip you had hoped for, it’s still an adventure that’ll have you and your R2 unit beeping happily for several hours.

 

Death Stranding for PlayStation 4 Review

death stranding reviewHideo Kojima’s latest release is one hell of an enigma. And that’s just the story. But we’re getting ahead of ourselves.

First things first, Death Stranding has a cast to die for. Anything with Mads Mikkelsen is going to be great, and of course the same can be said of Norman Reedus and Lea Seydoux. To top it all off you’ve also got two world class directors who do a mighty fine acting job in the form of Guillermo del Toro and Nicolas Winding Refn (voiced by Darren Jacobs), with del Toro’s Deadman being a breakout star. If you keep your eyes peeled you’ll also see a wide cast of cameos, with other film directors and media personalities scattered throughout, all of which are remarkably well used.

Put simply, well as simply as is possible, Death Stranding is an epic sci-fi journey into a near future which involves your character journeying across vast, mostly untouched landscapes, connecting people and trying to rebuild society. All this is done while trying to avoid horrifically spooky ghosts, as well as persistent bandits and even the rain itself – ‘Timefall’ – which damages your goods and vehicles. And, not forgetting keeping a small baby attached to your suit happy, including being able to rock it to sleep by waving the controller about. Of course this all sounds strange, but surprisingly enough it generally works.

The game lets you take your own pace and your own approach to its path finding. Want to scale that cliff side with ladders and climbing ropes? Prefer to find a vehicle and take the longer way around? Or go in guns blazing through a bandit camp? It’s all up to you. And while you’re deciding you’ll be soundtracked by some superb post rock/indie folk, most of which is provided by US via Reykjavik band Low Roar.

The music is one of the many highlights, with perfectly selected tracks that are synced with your adventure – one of my favourite moments was scaling a vast mountain, avoiding dangers, to have a great track suddenly kick in as I climbed down the other side and was subject to a stunning view across the landscape.

Just like music, whether you’ll enjoy this game is all about expectations. Don’t go in expecting Metal Gear Solid (Kojima’s previous series), because although it does share some mechanics and sneaking elements, this is a more slow paced, ‘enjoy the journey rather than the destination’ production. However, unlike Metal Gear Solid, the story here is a lot more comprehensible, aside from when you get towards the end. The ending is an information overload, and several ‘fake’ endings can test the patience of even the most dedicated fan.

What is definitely a surprise is that the game’s online elements are a wonderful treat. As you make your way through rivers, hillsides and mountains you can build devices to help you on your way, like battery charging stations, rain covers or safe boxes, and these will also appear in other players’ worlds to help them out (and vice versa). It’s a delight to receive ‘likes’ from other players who use your structures, which can aid your character’s skills as well as keep you company on your lonesome journey.

Death Stranding is an enigma alright, but whether you’ll appreciate breaking its code will definitely be down to your expectations and how open you are to trying something a bit different to your standard blockbuster game.

Once Upon A Time In Hollywood Film Review

Tarantino has returned, and he’s still doing that cowboy schtick, but this time it’s not the real thing like in The Hateful Eight or Django Unchained, but actors doing the cowboy thing in late 1960s Hollywood. Throw in the tragedy of the Manson Family and the Tate murders and you’ve got yourself Once Upon a Time In Hollywood. Firstly, go read up on the Manson Family or Tate Murders before you sit down to enjoy this one – you don’t need to know much, but just an outline will allow you to appreciate the backdrop.

Now, down to business, the film business that is. Tarantino’s love for the movie industry, particularly in the 50 and 60s, oozes out of this picture. It’s his fairy tale send off to a bygone era, and it does a pretty damn good job of it.
You’ve got Leonardo DiCaprio as a washed-up TV cowboy Rick Dalton plying his way through guest spots hoping to resurrect his former glory. This allows Tarantino to play at director of several genres, whether its mini TV Westerns, action adventure films, or even reinserting Leo into some rather famous classics.

Dalton’s stuntman Cliff Booth, aptly played by Brad Pitt is Leo’s partner in crime, whether taking the punches, driving him around or just fixing stuff around his house. While Dalton’s tale takes him on a reflective journey surrounding his success and future, Booth’s adventures drive the major story and take him on an exploration of hippie culture and the Manson family, which ties into the Sharon Tate plotline, well helmed by Margot Robbie.
Not getting too much into spoilers, this film heavily channels Pulp Fiction’s interlocking mini stories, with some incredible memorable scenes which could easily stand by themselves as shorts. Unlike that 1994 classic, the dialogue in Once Upon A Time in Hollywood is a lot more relaxed, no longer are scenes bursting full of witty dialogue, but there’s a more relaxed conversation style, added to the fact that some scenes were improvised – a relatively rare concept for Tarantino.

Coming in at just over 2 hours and 40 minutes, the film is in no way means bloated (apparently the original cut was 4 hours), but everything is perfectly balanced towards its aim. There’s a long scene that literally drips in tension, added to by the fact much of it is in the bright sunshine, which then turns into a darkly lit, isolated and anxiety-ridden moment. Sections like this are perfectly timed and balanced to create that punch-in-the-gut emotional connection that many big blockbuster films no longer aim to instil in the viewer. Overall, it’s so rare to have scenes where the actors can just ham it up and revel in the dialogue and interactions they’re gifted by the writer, and DiCaprio, Pitt and Tate all excel here – Pitt is the sure-fire star though, radiating with charisma, charm and playfulness, particularly in the backlot fight scene.

Would it have worked better with say a washed-up actor like Charlie Sheen, Christian Slater, or even Brendan Fraser? Who knows, but it may have lessened the comedic effect of having Leo bumbling through his lines, coughing his guts up and generally falling apart. The film also heavily focuses on Leo and Brad’s characters – their story, chemistry and acting works so well together that you could have released their tale on its own without any of the Manson murder backdrop, which feels slightly tacked on in places, but understandably sets the scene.
This isn’t a perfect film, or even the perfect Tarantino film, but it’s a picture that looks, feels and drips in dedication, excitement and just darn good celluloid fun.

Rebels Without A Cause – characters who have rebelled against the system

this feature takes a look at cinema’s greatest characters who have rebelled against the system.

 

Robin Hood: Prince of Thieves (1991)

 

The original and best, Robin Hood: Prince of Thieves is the big screen tale of the original gansta; Robin Hood (played by Kevin Costner), whose tale of stealing from the rich and giving to the poor is known the world over. Having been imprisoned in Jerusalem, Robin returns home to find his father dead, his home in ruins and the malicious Sheriff of Nottingham (played by the late Alan Rickman, who earned a Best Supporting Actor BAFTA for the role) terrorising the town. Joining forces with Little John and his band of outlaws, Robin leads the charge to defy the Sheriff and save the good people of Nottingham. The film proved to be the second highest grossing of that year and has stood the test of time to become a cult classic. The film also reached dizzying heights of notoriety due to its theme song, the Oscar nominated (and wedding favourite) ‘Everything I do, I do it for you’ by Bryan Adams. The song spent 16 consecutive weeks as the UK number one – one of the longest in chart history.

 

Catch Me If You Can (2002)

 

Catch Me If You Can serves a dual purpose on this list; showcasing a rebel of the highest order who merrily exploits the system, and offering a chance to watch vintage Leo at his scene-stealing best. The film is based on the true story of Frank Abagnale Jr (played by DiCaprio), a teenage criminal who conned millions of dollars out of various US companies before the age of 19; posing as a Pan Am pilot, doctor and parish prosecutor on his path to banking obscene amounts of cash. In fact, the real life Abagnale Jr. proved so good at defrauding the system that following his capture and punishment, the FBI turned to him to help them catch similar menaces to society. The film earned plaudits with both audiences and the industry, earning supporting actor Christopher Walken a BAFTA win and Oscar nomination in the process.

 

V for Vendetta (2006)

 

 A classic good versus evil story in an atypical setting, V for Vendetta is a dystopian thriller with heavy political undertones. Although released over 10 years ago, the film provides an unsettling allegory for government oppression – and interestingly, is set in 2020 where – amongst other locations – the US system has broken down. Stepping away from the political implications, the film features an iconic central character; V (played by Hugo Weaving), whose first job as no. 1 vigilante is to rescue Evey Hammond (Natalie Portman), an employee of the state run British Television Network, from her oppressors. V goes on to become a figurehead for the oppressed, distributing Guy Fawkes masks and setting a plot to blow up Parliament into motion. The impact of V’s character has extended beyond the film, with the stylised Guy Fawkes mask (created by illustrator David Lloyd) becoming a symbol of wider protest; being used in recent times by the online ‘hacktivist’ group, Anonymous.  

 

Tower Heist (2011)

 

Earning a place on this list if not for quality but for ultimate rebel points is 2011’s Tower Heist. With shades of Robin Hood, the central characters unite to steal back money that their boss took from them. The plot follows Josh Kovaks (Ben Stiller), Charlie Gibbs (Casey Affleck) and Enrique Dev’reaux (Michael Peňa), employees of an exclusive apartment building who lose their pensions at the hands of a rich businessman owner. Together with criminal Slide (Eddie Murphy) and others, this motley band of renegades plots to break into the businessman’s apartment to steal back their hard-earned cash, whilst trying to avoid the FBI.

 

Now You See Me (2013)

 

On first glance it’s hard to see how a group of illusionists can be classed as ‘rebels’, but J. Daniel Atlas (played by Jesse Eisenberg) and his accomplices are not any ordinary magicians… Atlas and his fellow illusionists’ performance steal the show in more ways than one, as the quartet performs bank heists during their performances and showers their audiences with the stolen money. Another classic Robin Hood-esque plot, were it not for shrewd FBI agent Dylan Rhodes (Mark Ruffalo) and Interpol agent Alma Dray (Mélanie Laurent); a pair the ‘Prince of Thieves’ certainly didn’t have to contend with. Starring Isla Fisher, Dave Franco and Woody Harrelson as the remaining three members of the Four Horsemen, Now You See Me is a modern take on the classic rebellion stereotype, offering four slick professionals whose act is well rehearsed and even better executed – role models to wannabe rebels everywhere. 

 

The Hunger Games (2012 – 2015)

 

It is no secret that The Hunger Games heroine, Katniss Everdeen (played by Jennifer Lawrence) has become a silver screen symbol of bravery and fighting for what is morally right, rather than the boundaries dictated by the world she lives in. Katniss begins The Hunger Games quadruplet of films as an innocent bystander, swept up in the ramifications of an unfair world. However as the narrative develops, Katniss’ moral compass pulls ever harder; and by the third instalment, The Hunger Games – Mockingjay Part 1, Katniss has become the face of the revolution. Not only does Jennifer Lawrence’s Katniss prove a defiant and determined leader of her world, the character has had wider implications of providing a strong female role model to a generation of girls; encouraging them to use their own minds and not follow the crowd.

 

Tom Hanks Retrospective – Best Tom Hanks Movies

With two Academy Awards, a filmography that has grossed over 8.5 billion dollars, and arguably one of the most loveable faces on the faces of the planet, Tom Hanks has certainly had a career that most actors would give arm for.  In order to truly appreciate the man himself, we’re taking a look back at some of his most iconic roles, and be assured that narrowing it down to this list was no easy task.

 

Big (1988)

Before the days of the multiple prestigious awards coming out of his ears, Mr. Hanks was making hearts around the world melt as a child who was magically turned into a grown man overnight. Still living with 13-year-old’s mentality, Josh (Hanks) decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia) and falls in love with fellow employee Susan (Elizabeth Perkins). But still a kid, he becomes desperate to go back to being scruffy teenager. Hanks brought his trademark wit and playfulness to the film, and it’s hard to imagine anyone else being able to play a giant keyboard with his feet as well as he does. 

 

Saving Private Ryan (1998)

Steven Spielberg’s legendary WWII epic may be known primarily for its extremely intense and disturbing 24-minute long battle sequence on the beaches of Normandy, but at the films heart is a very grounded and relatable performance from Mr. Hanks. The film follows a group of soldiers led by Captain Miller (Hanks), who have been charged with the task of saving a young soldier fighting in France by the name of (you guessed it) Private Ryan, whose three brothers have been killed in battle, and bring him home to his family. The film won five  Oscars in total but what was most notable about the ceremony was that it missed out on ‘Best Picture’ to Shakespeare In Love, which is still remembered as one of the biggest Oscar upsets in history. The film has proven to stand the test of time though, with Hank’s performance being one of the best of his career.

 

Toy Story (1995), Toy Story 2 (1999) and Toy Story 3 (2010)

After all of Pixar’s success, awards and rave reviews for their many delightful films, the standard set by incredible moving and nostalgic Toy Story series still sets the bar. Hanks voices the charming cowboy doll Woody, who is seen as a leader of sorts for a group of toys who come to life when no one is looking. But when their owner Andy get’s a new action figure for his birthday in the shape of Buzz Lightyear, he starts to lose his place as the ‘favourite toy’. It’s hard to imagine that Toy Story was so innovative in its field when it was released in 1995, but with every summer holiday now coming with a flurry of animated films, Hanks and co. paved the way for many childhoods of the future. As much as we’re assured otherwise, we still can’t completely trust that Action Men and Barbies don’t come to life when we leave the room…

 

Forest Gump (1994)

They say a career is never complete without a role that encourages millions of people around the world to impersonate nearly every line from the film in a ridiculous voice. If that’s true then Hanks has managed to complete that task with the title role in Robert Zemeckis’s film Forest Gump. The films follows Gump, a special child not quite like everyone else, from a young age right through to becoming a father, as he finds himself in many troubling and often enlightening times through 1960’s America, with the film acting as a strong critique of US History. Hanks gives a heart breaking performance that ended up winning him an Oscar, showing the importance of some much needed innocence in the world during a time of so much chaos and darkness. 

 

Captain Philips (2013)

With Paul Greengrass’s high-seas thriller Captain Phillips, the film needed a hero that instead of being muscle-bound and born with superpowers, was above all else brave and relatable, and Hanks fits that bill perfectly. Based on the true story of the 2009 hijacking of U.S. container ship Maersk Alabama by a crew of Somali pirates, the film not only works as an gripping and tense modern day action-thriller, but also successfully attempts to dissect deeper themes of poverty and globalisation. The film is worth watching for the truly heartbreaking final scene that is enough to make even the most stubborn Somali pirate break down into floods of tears. 

 

Cast Away (2000)

This intense drama about one man’s struggles to survive after being shipwrecked on a desert island can be summed up in one word: WILSON! Hanks manages to keep our full attention in a film that features only him for 90% of the film, along with a brilliantly understated performance from his volley ball friend. Of all the films Hanks has done in his career this is probably the most intense of them all, showing incredible determination to save himself from the island and get back home. In Cast Away, Hanks made us laugh, cry and learn how to appreciate the modern day dentist, a magnificently rounded performance. 

Shazam Movie Review


Shazam! No, we’re not talking the music discovery app, but the DC comic hero with a giant lightning bolt on his chest that we’d honestly had never heard of before. But don’t let that get in the way of enjoying one of the most fun superhero films to grace our screens in ages. Shazam doesn’t take itself too seriously and that is an essential part of its charm.

Zachary Levi is the standout star as Billy’s superhero alter-ego with bucket-loads of the geeky charisma he nailed perfectly in Chuck, while Billy’s wise-cracking best buddy is played brilliantly by Jack Dylan Grazer, channelling a young Seth Cohen. They work brilliantly together, particularly in the scenes where Billy stumbles through discovering his superpowers. The whole ensemble foster family start off rather simple and don’t have too many lines, but the family scenes have a simple warmth to them that pays off towards the finale act.

Shazam! might be filled with superhero cliches, but the film embraces them rather than tries to do anything edgy. There are some pitfalls, the CGI baddie monsters are rather dull and copypasted from other DC/Marvel films, and the villain doesn’t really inspire you to really want to see get beaten at the end. Overall, a fun, light-hearted take on the superhero story, that is well aware that it’s not high-art and has some real laugh-out-loud moments.

5 HOT TRADING TIPS FROM PROFESSIONAL TRADERS

There is only so much the internet can teach us. Professional traders have the type of inside knowledge, strategies and expertise that can only be learned on the trading floor.
Financial Markets Online co-founders, James Bentley and Samuel Fuller, are experienced traders who train up everyday people in the world of online trading. Today, they’re sharing 5 hot trading tips that’ll ensure you don’t get burned.

1. Work alongside another professional – having a mentor or working alongside someone with more experience than you, is an invaluable aid when you’re at the beginning of your trading career. It will help you build confidence, understanding and avoid common pitfalls that new traders often make.

2. Join a community – join a professional course and you’ll find a group of like-minded and active traders
committed to success through continuously improving their professional skills. You’ll become part of a community and will have access to experts who will be able to share insight and strategies, based on live streaming data and analysis.

3. Find a mentor – a good mentor will oversee your trading and be on hand to advise, encourage and, critically, also deter you. They can help you create a plan, develop your own set of rules and support you in staying disciplined enough to stick to them. This can be the difference between making money and losing it.

4. Capitalise on the sales side – trading and investing both involve seeking profit in the stock market, but
they pursue that goal in different ways. Investing is about buying stocks for long-term gain, but you can achieve short-term profit by selling stocks, with a focus on share prices.

5. Go for a walk – a clear head is a calm and focused head and the key to making good trades and
decisions. So, when the pressure starts to build, take a walk around the block and give yourself an opportunity to think things through in terms of strategy and what’s in the best interests of your trading and the positions you currently have. You’ll be amazed what comes to mind when you step away from the charts for a few minutes.
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